I
spent this past weekend in the Champagne-Ardenne region of France with
the Franco-Americans in Paris Meetup group. About 25 of us had come to
this part of the country for a visit that included champagne tasting at
wineries, cycling through vineyards, dining at a local upscale
restaurant, and all-night partying.
After stopping
by two wineries on our way from Paris, our shuttle arrived in Reims,
where we spent most of our time on Saturday. We checked into our hotel
and quickly reassembled to go participate in a guided tour of the city's
celebrated Notre-Dame cathedral. We then had some free time before
the evening’s festivities to take in more of the city center, get some
rest, or do just about whatever.
I missed the
apéritif with the others but met up for dinner later on. It
was wonderful – I discovered pintade (guinea fowl) and instantly fell in
love with it. Afterwards, we moved to Le Cuba, a nearby bar/club to
get the party started.
Le Cuba was packed and the
music was great. Popular hip-hop with a couple of pop songs in there –
it was just what I liked to dance to. Yet I got blocked quite quickly
after arrival. Overthinking? Perhaps. Instead of soaking in the
groovy atmosphere and expressing myself freely within it, which is what I
would have liked to do, I turned in a half-hearted effort, as I felt
a little uncomfortable within our group, most of whose members I had only met in the morning, and certainly amongst the crowd at large. I
managed a simple bounce to the music, kept a stone face, remained speechless, looked
around constantly at others in the bar, and admired the few who could
get down – and even up, on the tables. It was my default, if not
classic, dance club persona. Few have been the times that I could
actually open up in such an environment. Otherwise, I am uncomfortable
most of time. Perhaps not so much in the absolute sense, but knowing
what the possibilities for fun are in this kind of places, I experience a decent amount of discomfort. The funny thing is that I had imagined Operation
Body Rock to help me to transform this chronic discomfort into something similar to
comfort, but much closer to excitement. Several months after its
conception, however, the operation has yet to get off the ground. And
Saturday night would not be the time for that, and Le Cuba would not be
the place.
I started debating whether to cut the night short
(already) and return to the hotel. Some people eventually followed
through with that course of action. Somehow though, I hoped that I
would feel better once we settled in at our next party stop, a karaoke
joint. In the meantime, things simply went downhill from there at Le
Cuba, and I began worrying about the vibes that I was giving out to the
other Meetup members around me. It was awful – like a here-we-go-again
feeling – but I managed to keep the destruction inside. At least, I
could give myself points for composure.
I got a breather when we
moved over to Le Curtayn Club, just around the corner. The place had two floors. The ground floor had the setting
of a bar with a stage for karaoke that was surrounded by tables and
couches for the necessary audience. The floor below was reserved for
dancing. We took our place at one end of the main floor past the stage,
and most of the girls in our group – about eight of them – quickly got
their hands on the song catalog and began figuring out what songs they
wanted to perform and how they were going to perform them.
I sat a few feet away from this
commotion with other Meetup members. We were the low-key bunch. All
the while, I felt more relaxed. But I was also rather disgusted with
the attitude that I had at Le Cuba. I knew that I could do better, be
better. Mostly though, I was also thinking of whether to take the
stage. I just could not make up my mind. I was not sure if I wanted to
expose myself in an unfamiliar place in front of unfamiliar people. At
the same time, I had always found the concept of karaoke singing
cathartic, and I wanted to redeem myself, show my stuff. But I kept
holding back, not yet ready to make a decision. The girls, on the other
hand, took to the stage twice, once to cover "Barbie Girl" and the
other time "Human Nature" (the Madonna version), screaming, dancing, and
doing almost anything to cause a scene. It was hilarious, and I
thought that it contrasted very well with the slow-paced and rather
uninspiring performances of French numbers that other people gave.
I
finally made up my mind – I had to, time was running out. I seized the
catalog and browsed through it. Within time, I narrowed my choices down to two
of my favorite songs: Bob Marley's "Redemption Song" and Eminem's "Lose
Yourself". I eventually settled on the latter, even though I wondered if I was capable of getting all the lines in, since once the
rap started, Eminem went on till the end of the track without stopping. That's four
minutes of continuous rapping! Including the chorus! But I took the
task as a challenge and figured that it would provide some "fresh air"
if not shock value to the audience (I doubted that some of them had
imagined seeing and hearing a black guy rap a song in English that
night). It also helped that I knew most of the lyrics. Definitely some
of most skillfully crafted that I had ever heard.
My
determination was tested though after I signed up for karaoke. The
eight girls who created the show earlier all disappeared. Some went
downstairs to dance, others headed for the hotel. There were only about
four of us left, and, yes, we were all in the low-key bunch. No one
was going to sing anything. And the club was filling up. I was
thinking, "How many random people would I need looking at me?" And the DJ
kept skipping my turn. After thirty unusual minutes of waiting to take the stage, I went up to ask what was up, only for him to tell me I was seven songs behind. Ridiculous. I bothered him until he conceded, and he told me that I was going after the next singer. Except that after the next
singer, he called another person. So I went to pay him
another visit, this time with Philippe, the Meetup trip organizer. And the DJ told us that I was four songs away! Can someone say delirious?
Philippe basically told him off without leaving the stage, until he gave
us the next spot. Convinced more than ever that I was up next, I went
back to get mentally ready for the challenge. I went to the restroom
one more time – I had been already there on three occasions on every
other previous song, in part to calm my ever tingling nerves, in part to
respond to the call of nature.
Back in the crowded room, I heard
my name called from the stage. Showtime! So I went up, checked the
mics, made sure I was grabbing the right one, and turned around to face
the audience. Yikes! There were a lot of people in sight, but not
everyone had their eyes on me. I waited desperately for the beat the
drop, and combated stage fright by looking over to the left back of the room where the
Meetup crew was seated. My nerves still had me, but surprisingly not
as much as before.
More than anything, I was concentrating.
Once the lyrics came onscreen, I was off. I kept up the flow, even
though it was already work 30 seconds in. Compared to the voice that
Eminem used on the track, my voice was rather weak. The beat was so
infectious – how could I have forgotten? – that I naturally got my hands into it, swaying them in random directions, with all of the flair of a rapper performing on
stage. Fittingly, I eventually lost myself in the music, the moment. I
had only a little space from time to time to notice how the crowd was
responding. A good number of people were watching. Judging by
the looks, surprise seemed to be main reaction. I found it all amusing
really, but I was too lost in the music, the moment, to be seriously
bothered. Towards the end, I was skipping lines because I was
struggling to catch my breath while trying to keep up with Eminem's
solid delivery at the same time. I thought that cutting off each line before it ended in order to get to the next one in time was enough, but no! I
practically panted line after line, and a few
people in the audience in front of the stage showed their support. It
was touching. I even had a random girl standing close to the stage
imitating my dance moves and rhyming with the last chorus with me.
Where was my hype woman when I had needed one?
I got some cheers
once it was done, but I was too enthralled to take them in fully. The
DJ congratulated me once I handed him the mic. I felt relieved. I felt
high. The attitude from the earlier part of the evening was a thing of
the past. I was (more) alive. I joined the Meetup crew who had
sacrificed their time to watch me perform, and we immediately went
downstairs to get our groove on. Over there, the music was appropriate,
and I got down to it without much of the hesitation of before.
It was
only later that I realized that the theme of "Lose Yourself",
especially the song's introduction, coincided with my experience of the
night post-dinner. That is, taking advantage of a unique, desirable
opportunity and losing yourself in it. Which is contrary to my typical
dance club experience. Usually when I am in a dance club, and especially on the dance floor, I spend my
time trying to figure out what I should be doing and not be doing, how I
should be behaving and not be behaving, instead of just doing what I
know makes me come alive.
Don’t ask yourself what the world
needs; ask yourself what makes you come alive. And then go and do that.
Because what the world needs is people who have come alive.
– Howard Thurman
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